We Real Cool, Poetry Explanation

STUDENT NAME PROFESSOR CLASS DATE We authentic assuredness Poetry Explication We Real Cool is a song written by Gwendolyn let in 1959, and published in her book The Bean Eaters (We Real Cool, pg 1). A simple and light poem, We Real Cool is vague affluent to allow readers to visualize their own consultations and unbendingting, but specific enough to financial support a consistent rebellious image. Brooks attitude toward the characters is undecided, as the tone is neither tragic nor victorious, but more so fair(a) balanced and neutral. We Real Cool is written from the location of the involved fictional characters.It is as if the reader is in the presence of these characters as they introduce themselves. They tattle with confidence and defiance, describing their actions and self-ideals in a rhythmic stanza form. We be non presented with any(prenominal) specific character ethnicities or backgrounds, nor year or time, but we atomic number 18 provided a fictional setting of a place called The Golden Shovel. Containing alone ten sentences, We Real Cool begins with the government note, The Pool Players. With this furrow, we are able to regard the type of characters we will be following.The assumptions are, there will be alcohol and cigarettes involved, as those are typical stereotypes when thinking about pool halls. The se wadt line within the same stanza is, Seven at The Golden Shovel. From this line we are able to assume or imagine that there are a total of seven characters involved in the scene. With just these ii simple lines composed of simple raillerys, imagery is created in order to set the stage for the nigh stanzas. Moving into the body of We Real Cool, Brooks begins each sentence with the word, We, making it a dismantle that the narrator comprises of sixfold people, specifically the seven pool players.The first line to begin the consequence stanza is, We real cool. This not only states the title of the poem, but besides sets the i ntellect level of the seven pool players. Grammatically correct, but more on the lines of twit, the give out word of this sentence begins the rhyme scheme that will follow. The number half of this stanza is, We left rail. This is an obvious statement of action, but leaves the reader speculative whether they left a not-yet-dismissed school day or a school day that had come to an end. As a third option, the reader top executive also assume they left school for good.The couplets continue in the next stanza with, We lurk late. With this line we quite a little assume the verb lurk is meant to represent a more less gracious movement, an almost monstrous, but comical commission of walking. In the poems consistent three word lines, the word late is included to end the sentence. This gives the reader an idea of when the poem end possibly take place within the time of day. Although it may not be a literal statement regarding the time of day, as it passel also translate to a rebell ious activity the characters wish to point out.The second sentence within this stanza is, We withdraw straight. This line can also have multiple meats depending on the usage and perspective of the words strike and straight. Two possible literal translations can be deal with fighting, as strike means hit or punch, while another meaning of strike is how one lights a cigarette. The fourth stanza begins with, We sing sin, a line that can also have multiple meanings. If taken from a enigma angle, the gentleness and innocence of singing contradicts with the literal meaning of sin.This method of communicatory irony is what keeps the tone consistently light throughout the poem, and when strategically rigid near the middle of the poem allows for a smooth transition from the forward darker stanza. Another translation of We sing sin can also be that the group likes to listen to contemporary medicament, possibly singing along. In received eld of past, and even currently, music is often labeled as the remonstrates Music by those who choose to be prude, or as well religious. Ending this stanza is, We thin gin, an assumed reference to alcohol, something not out of the run-of-the-mine for a group of ragtag youngins in this poem.Wrapping up the poem, the last stanza begins with, We make love June. A line like this, as did the previous lines, can have multiple meanings, or possible connotation to slang of the days the poem was written. Quite possibly, the literal translation can be that this poem takes place in the summer season of June, with the Jazz portion representing the music genre, Jazz. Jazz June could also be placed intentionally at this discover of the poem in order to establish the name of the group of seven, the Jazz June.An additional meaning could be that the terms Jazz June has something to do with slang of those days. The last line of this stanza and poem is, We die soon, translating to a living a fast breeding on edge. With a rebellious life, this can atomic number 82 to a shortened life span, as one is susceptible the dangers of life when staying out late, smoking cigarettes, and drinking alcohol. On a positive side, it can also mean, life is too short, and regardless, we will all die soon, so enjoy and be free. We Real Cool is a combination tale and lyric poem that contains a very simple couplet, rhyming scheme.The restraint and depth of the poem lasts the test of time as it very much can be relatable to this day and age of Hip Hop. The ambiguity of character background, location and time allows the reader to use their imagination and apply their perspective to the translation. I thoroughly enjoyed Gwendolyn Brooks We Real Cool and feel its relevance to contemporary poetry is vibrant and refreshing, making it a timeless minute of literature. Works Cited We Real Cool Wikipedia. 2012. . Web site with no author. 21 May. 2012 is right of first publication date and 9 Nov. 2012 is access date.